World Cinema Wednesday

So Australia continues it’s impressive run as the newly anointed master nation of crime dramas. I loved Animal Kingdom and The Square, but this is one of the most powerful films I’ve ever seen. Though it’s difficult to watch and at times carries with it such a sense of dread and despair that repeat viewing is not the first thing that comes to mind, it’s poignancy demands to be seen. The editing is also really impressive, and the directing is just the way I appreciate it, not heavy handed at all. This is Snowtown.

“Sixteen-year-old Jamie lives with his mother, Elizabeth, and two younger brothers, Alex and Nicholas, in a housing trust home in Adelaide’s northern suburbs. Their home is but one of many sun-starved houses crammed together to cater for a disenfranchised society. Jamie longs for an escape from the violence and hopelessness that surrounds him and his salvation arrives in the form of John, a charismatic man who unexpectedly comes to his aid. As John spends more and more time with Jamie’s family, Elizabeth and her boys begin to experience a stability and sense of family that they have never known. John moves from the role of Jamie’s protector to that of a mentor, indoctrinating Jamie into his world, a world brimming with bigotry, righteousness and malice. Like a son mimicking his father, Jamie soon begins to take on some of John’s traits and beliefs as he spends more and more time with him and his select group of friends. The protection and guidance that John presents to Jamie is initially welcomed however as events occur around him, including the disappearance of several people, Jamie begins to harbour deep suspicions about John and his motivations. When the truth is finally revealed to Jamie his hopes of happiness are threatened by both his loyalty for, and fear of, his father-figure John Bunting, Australia’s most notorious serial killer.” Anonymous

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About Nile Saulter

FILMMAKER
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